In the month since the destruction at Mosul Museum and the Nergal Gate Museum, at least in the West, there has been an increase in the profile of reporting and an explosion in the volume of commentary on political violence against cultural property in the conflict (specifically, political violence against archaeological heritage in Iraq, compared to the coverage of previous and ongoing destruction of religious sites in Iraq and Syria and beyond).
There have also been increasing calls for military intervention – albeit, remarkably, only to protect archaeological, cultural, historic sites, not the civilian communities who are the target of the genocide (and based on unevidenced, though not necessarily entirely false claims). I’ll post more on that soon. Still, cultural heritage workers and Western politicians are not the only people who are exploiting events. Amongst the confusion and advancement of political narratives, I spotted a peculiar image and wanted to query it and learn more about it.